How do You Solve a Problem Like Bosnia?
PDF (OPEN ACCESS)

Keywords

Laibach
state
cultural diplomacy
Yugoslavia
Slovenia

How to Cite

Šentevska, I. (2024). How do You Solve a Problem Like Bosnia? Laibach as Cultural Ambassadors in the Post-Yugoslav Context. ANNALES, SERIES HISTORIA ET SOCIOLOGIA, 34(2), 145–158. https://doi.org/10.19233/ASHS.2024.10

Abstract

This article follows chronologically the changes in the public perception of Laibach in Slovenia, Yugoslavia and the post-Yugoslav countries, Laibach’s relation to the Slovenian state, and the group’s status of informal (and occasionally formal) cultural ambassadors of Slovenia in the post-Yugoslav context. Because the state (in abstract terms) and Slovenian cultural identity play such an important role in Laibach’s artistic output, their formal and informal representation of the Slovenian state and national identity are often misperceived by the media and cultural commentators. The aim of this article is to establish on which occasions and in which contexts Laibach have actually and formally represented Slovenia at international events.

https://doi.org/10.19233/ASHS.2024.10
PDF (OPEN ACCESS)

References

Abaz, Mirza (2021): Laibach za Stav: postoji osjećaj da se ključ svih rješenja u regiji opet krije u Bosni i Hercegovini. https://stav.ba/vijest/laibach-za--stav-postoji-osjecaj-da-se-kljuc-svih-rjesenja-u-regiji-opet-krije-u-bosni-i-hercegovini/6325 (last access: 2023-12-24).

Adžović, Aida (2023): “Each Nation has its Own Trauma that Requires a Qualified Exorcist”: Interview with Laibach. INSAM Journal of Contemporary Music, Art and Technology, 10, 1, 9–15.

Ambrozić, Dragan (2024): Kolumna: Najbolje pesme jugoslovenskog alternativnog roka (1983.–1991.) (1/12) – Laibach – “Država” (1985.). https://music-box.hr/2024/01/28/kolumna-najbolje-pesme-jugoslovenskog-alternativnog-roka-1983-1991-1-12-laibach-drzava-1985/ (last access: 2024-01-29).

Anderson, Porter (2023): Slovenia at Frankfurt: Laibach’s Sharp-Edged “Alamut”. https://publishingperspectives.com/2023/09/slovenia-at-frankfurt-laibachs--sharp-edged-alamut/ (last access: 2024-01-16).

Aprcović, Milena (2019): Peter Mlakar: Govor na BGD koncertu Laibacha 1997. https://www.antenam.net/region/105864-peter-mlakar-govor-na-bgd-koncertu-laibacha-1997 (last access: 2024-01-08).

Balantič, Polona (2010): Država NSK - kje je njeno mesto v mednarodni skupnosti?. https://www.rtvslo.si/kultura/drzava-nsk-kje-je-njeno-mesto-v-mednarodni--skupnosti/240433 (last access: 2024-01-24).

Crnkovič, Marko (2015): Das ist Kunšt: Laibach bombardiral Pjongjang, preživel backlash SLO medijev. https://arhiv.fokuspokus.si/article/831?=das-ist-kunst--laibach-bombardiral-pjongjang-prezivel-backlash-slo--medijev-2 (last access: 2024-01-10).

Čuškova, Ana (2023): Лајбах е враќање на акцијата во име на идејата, враќање на емоцијата во име на умот. diva.mk/post/дива-мисла-лајбах (last access: 2024-01-19).

Ćuk, Aleksandra (2015): Ima nešto “lajbahovsko” u Ceci Ražnatović. https://www.danas.rs/vesti/drustvo/ima-nesto-lajbahovsko-u-ceci-raznatovic/ (last access: 2024-01-23).

Erjavec, Aleš (2003): Neue Slowenische Kunst – New Slovenian Art: Slovenia, Yugoslavia, Self–Management, and the 1980s. In: Erjavec, Aleš (ed.): Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism. Berkeley, University of California Press, 135–174.

Goddard, Michael (2006): We Are Time: Retro-Avant--Gardism and Machinic Repetition. Angelaki, 11, 1, 45–53.

Jakovljević, Branislav (2016): Alienation Effects: Performance and Self-Management in Yugoslavia, 1945–91. Ann Arbor, University of Michigan Press.

Jeklič, Nina & Tamara Soban (eds.) (2015): NSK from Kapital to Capital: Neue Slowenische Kunst: An Event of the Final Decade of Yugoslavia: Exhibition Guide. Ljubljana, Moderna galerija.

Jerman, Gregor (ed.) (2020): Laibach – 4 dekade / 4 decades. Trbovlje, Zasavski muzej.

Kermauner, Taras (2009): X + (–) = ?. In: Hennig, Naomi & Wiktor Skok (eds.): Ausstellung Laibach Kunst Rekapitulacija / Recapitulation 2009. Łodź, Muzeum Sztuki, 50–61.

Kruth, Xavier (2016): The European Commission Suggested to Veer Towards a More Classical Style of Entertainment. http://www.peek-a-boo-magazine.be/en/interviews/laibach/ (last access: 2024-01-08).

Laibach (1983): Država. Cassette Laibach / Last Few Days. Ljubljana, Galerija ŠKUC.

Laibach (2024a): Biography. The Story so Far. https://www.laibach.org/bio/ (last access: 2024-01-07).

Laibach (2024b). E-mail communication with the author, 16. 1. 2024.

Laibach (2024c). E-mail communication with the author, 29. 1. 2024.

Lorenčič, Teodor (2022): Laibach: 40 Years of Eternity. Belgrade, Službeni glasnik.

Mastnak, Tomaž (2015): Civil Society and Fascism. In: Badovinac, Zdenka, Čufer, Eda & Anthony Gardner (eds.): NSK from Kapital to Capital: Neue Slowenische Kunst: An Event of the Final Decade of Yugoslavia. Ljubljana – Cambridge, MA, Moderna galerija – MIT

Press, 280–289.

McGrady, Conor (2001): Raising the Volume: Laibach: Art, Ideology and War. Fortnight, 398, 15–17.

Mehle, Borut (2015): Laibach bodo nastopili doma v Pjongjangu. https://www.dnevnik.si/1042715871 (last access: 2024-01-10).

Mekina, Igor (2023): Prodane duše: Licemerje lahkovernih lakajev iz Laibacha. https://insajder.com/slovenija/prodane-duse-licemerje-lahkovernih-lakajev-iz-laibacha (last access: 2024-01-20).

M. K. (2023): Marjetica Potrč, Pankrti, Kameleoni in Laibach so dobitniki medalje za zasluge. https://www.rtvslo.si/kultura/drugo/marjetica-potrc-pankrti--kameleoni-in-laibach-so-dobitniki-medalje-za-zasluge/692459 (last access: 2024-01-26).

Mlakar, Peter (2023): Festung der Metaphysik: Die Transgression und das Jenseits. Vienna, Passagen Verlag.

Monroe, Alexei (2005): Interrogation Machine: Laibach and NSK. Cambridge, MA, MIT Press.

N1 podkast s Suzano Lovec (2023): Laibach, 2. 3. 2023. https://www.youtube.com/watch?v=MU15bTEhwQ4 (last access: 2024-01-05).

Naša borba Internet (1997): Dolaze muzičari, 11.11. 1997. https://www.laibach.org/reflections-archive/articles/?a_lang=othr&archive_year=1997 (last access: 2024-01-23).

N. O. (2023): Modul memorije zatvoren spektaklom grupe Laibach u Narodnom pozorištu. https://www.klix.ba/magazin/kultura/modul-memorije-zatvoren-spektaklom-grupe-laibach-u-narodnom-pozoristu/230510014 (last access: 2024-01-06).

NSK (ed.) (1985): Neue Slowenische Kunst. Problemi, 23, 6 (special issue), 1–107.

Nym, Alexander (2023): Alamut in Klang und Schrift. Gedanken zur Urauffuhrung im September 2022. In: Schutte, Uwe, Lughofer, Johann & Daniela Kirchstein (eds.): Kunst-Machine: Essays on the Gesamtkunstwerk Laibach. Klagenfurt, Drava Verlag, 251–274.

Potočnik, Peter (1988): Govorice o samomorilski sekti ‘črna vrtnica’ močno razburjajo Zagrebčane. Delo, 30, 69, 23. 3. 1988, 12.

President of the Republic of Slovenia Nataša Pirc Musar (2024): Decorations: The Medal of Merit. https://www.predsednica-slo.si/en/decorations/decorations/ (last access: 2024-01-26).

Skok, Wiktor (2009): Laibach Kunst Recapitulation – The Spectacle of the Monolith. In: Hennig, Naomi & Wiktor Skok (eds.): Ausstellung Laibach Kunst Rekapitulacja / Recapitulation 2009. Łodź, Muzeum Sztuki, 6–9.

Spaskovska, Ljubica (2017): The Last Yugoslav Generation: The Rethinking of Youth Politics and Cultures in Late Socialism. Manchester, Manchester University Press.

Stepančič, Lilijana (2015): The Poster Scandal: New Collectivism and the 1987 Youth Day. In: Badovinac, Zdenka, Čufer, Eda & Anthony Gardner (eds.): NSK from Kapital to Capital: Neue Slowenische Kunst: An Event of the Final Decade of Yugoslavia. Ljubljana –Cambridge, MA, Moderna galerija – MIT Press, 213–221.

Strlič, Nataša (ed.) (2009): Plakatna afera 1987. Ljubljana, Muzej novejše zgodovine Slovenije.

Šentevska, Irena (2020): Laibach in North Korea: A Journey to the East (from the Slovene Perspective). Prague Papers on the History of International Relations, 1, 86–101.

Šentevska, Irena (2022): A Long March on the Mainstream: Chronicle of Laibach’s Artistic Career. Journal of Contemporary Central and Eastern Europe, 30, 2, 183–200.

Šentevska, Irena (2023): A Change of Heart. How Laibach Didn’t Bring Eurovision to Kyiv in 2023. In: Schutte, Uwe, Lughofer, Johann & Daniela Kirchstein (eds.): Kunst-Machine: Essays on the Gesamtkunstwerk Laibach. Klagenfurt, Drava Verlag, 251–274.

Štrajn, Darko (2015): Black-and-White Shock in Trbovlje. In: Badovinac, Zdenka, Čufer, Eda & Anthony Gardner (eds.): NSK from Kapital to Capital: Neue Slowenische Kunst: An Event of the Final Decade of Yugoslavia. Ljubljana – Cambridge, MA, Moderna galerija – MIT Press, 28–32.

Tepina, Jure (2015): Komentar: Laibach so združevalci. https://www.24ur.com/novice/slovenija/komentar-laibach-so-zdruzevalci.html (last access: 2024-01-10).

VisitTrbovlje.si (2021): Trbovlje-Dobovec-Kum-Trbovlje. https://www.visittrbovlje.si/en/sportne-aktivnosti/trbovlje-dobovec-kum-trbovlje/ (last access: 2024-01-02).

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Copyright (c) 2024 Irena Šentevska